Manu le Malin
A main character
of the international hardcore techno scene, Manu le Malin is
the
symbol of the struggle of a musical genre for its
own right to live. He has overcome hardship and made his way in
life since this evening of 1991 where Manu, who was dragged along
by friends, discovered “raves”, their relaxed atmosphere
and their new music. It was a genuine disruption into the life
of this young Parisian who was just 20, and who decided to change
his life.
Exit his first love for alternative rock, punk and ska music. He
decides to dedicate himself body and soul to Djing, and must find
a stage name. It will be Manu le Malin referring to the movie “Les
Frères Pétard” of Hervé Palud. He quickly
appears on stage in the growing free parties next to the Psychiatrik
sound system, or in the raves of Le Bourget, or during the mythical
after parties of Pont de Tolbiac.
His music, originally techno/trance, becomes harder and darker
with the arrival of production labels such as PCP and Industrial
Strength, which then develop a new sound: hardcore. Having an innate
sense of groove and an outstanding technique, he soon can see his
fame spreading abroad. Without disowning his underground roots,
then we can see him appearing in big events such as Energy in Zurich
in 1995, in front of more than 15,000 people.
At the same time,
he meets during a party the American Lenny Dee,
who is the owner of the label Industrial Strength. The latter decides
to give Manu a chance and allowed him to release his first maxi “Memory”.
The same year, Manu releases two mix CDs, “Paris Hardcore” always
with Industrial Strength, and “Hardcore vol. 2” with
the French of Fairway.
But this is in 1997 with the release of Biomechanik, name assumed
referring to the works of the Swiss plastic artist H.R. Giger,
that we can see Manu at the height of his talent. The art of mix
favouring atmosphere over speed, carrying insidiously the listener
away towards unsuspected musical lands. At the same time, he creates
with his lifelong friend Torgull the label 46 Records, which numbers
today more than twenty references.
In April 1998, we can trace Manu during the first rave organised
in Bercy: Métropole Techno, and in September in the same
year, during the finale of the first Techno Parade, Place de la
Nation. Without making concessions, he there showed the sound he
is fond of, as well as in the monthly programme he animates on
Radio Nova: Extreme Terror.
At the beginning of autumn 1999, the second volume of the Biomechanik
series is released by F Communications, the structure of another
partner: Laurent Garnier. At the beginning of the new millennium,
Manu increases collaborations and projects out of the scene of
techno and dancefloor. This way he writes a cartoon sound-track
for Canal +: “Y’a un os”. And above all, in summer
2000, he takes part with Torgull in the creation of a new musical
work “Hier, Aujourd’hui, Demain” with René Koering
by his side and the Orchestre National de Montpellier. Reconciling
classical with electronic music during a brilliant concert at the
Corrum of Montpellier and at the Théâtre du Chatelet
of Paris.
It is only in 2002, after ten years of a continuous passion, that
Manu delivers at least his first album: “Fighting Spirit”,
which was enthusiastically welcomed by the papers as well as the
public. Then he tries rock’n’roll with his first album
of the group, of which Manu wrote all the words, releases during
spring 2004.
Since then, Manu carries on in his residences, especially at the
Rex in Paris, or during the annual festival Astropolis in Brest,
of which he is responsible for the programme planning of the hardcore
scene. Then with new musical support such as DVD arriving, he realises
at the beginning of autumn 2005 the final part of his famous trilogy “Biomechanik”,
filmed in the bar of the museum of H.R. Giger. For Manu, a big
fan of the Swiss artist, the “rave” came true (the
dream came true).
For more information, track listing (which includes 7 Industrial
Strength Records tracks)
and a video preview go to : www.paranoid-section.com
|